19th-century England. A Victorian entomologist breeds a giant Death’s-head moth that becomes his beautiful daughter. She lures young men into the manor, then drains them as a winged horror. Peter Cushing investigates. Tigon, 1968, trying to out-Hammer Hammer: gothic Victoriana, no budget, collapsing effects, creaking pace, and a were-moth played with total sincerity. Ridiculous, straight-faced, and strangely perfect.