The final nail in Hammer’s coffin for Christopher Lee’s Dracula. The Count is now a 70s tycoon with a world-ending plague plot straight out of a bootleg spy thriller. Van Helsing must stop a satanic ritual involving high-ranking government officials and… a biker gang? This isn't gothic horror; it's a glorious, chaotic mess of satanic panic and espionage pulp. Witness the legend go out not with a bang, but with a bizarre, apocalyptic shrug. Pure 70s desperation on film.