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Right now, Skrean is a one-man operation — built, coded, curated, and kept alive by filmmaker Frankie Doguet.
I have spent more than twenty years working in film and post-production, mostly in the commercial world — the kind of work that sharpens craft, pays bills, and slowly starves the part of you that wanted to make cinema in the first place.
Skrean came from that frustration — a need to build something real. A place shaped by instinct, taste, obsession, and a love for films that are strange, visceral, dangerous, and impossible to sand down into content.
I build Skrean myself, line by line — because platforms shape how films are experienced, and cinema deserves better than endless scroll, synthetic taste, and algorithmic sludge.
Skrean was originally conceived as the future home of The Edge , a survival feature I wrote. In building that path, something unexpected emerged — a platform worth building for its own sake.
Every line of code serves the same idea: thoughtful curation over algorithmic sludge, respectful presentation over disposable content, and a place where genre cinema is treated like cinema — not inventory.
Today, Skrean lives through carefully curated public domain films, experimentation, and slow growth. Tomorrow, if support makes it possible, it can become something bigger — licensed films, original productions, and a true digital grindhouse built outside the usual machinery.
No committee. No trend chasing. No permission asked. Just cinema, built the hard way.